Arts & Design

Enda O'Donoghue's oil paintings of digital snapshots explore the mixture of intense self-regard and ephemerality that characterizes imagery in the Facebook era�and even the process of painting them looks like a glitchy upload. Video after the jump.

"EACH FLUID OUNCE CONTAINS THE VIRTUES OF TWO OUNCES OF FRESH BEEF WITH ONE OUNCE SHERRY WINE." From the design blog codex99, a collection of early twentieth-century tonic labels illustrates the fickle nature of pharmaceutical progress.

More domestic style than you or I can hope to amass in a lifetime�displayed in ten seconds. We might want to think about what that says for style... We so badly want to be our things. Video after the jump.

In astronomical imagery, false colors abound: ultraviolet, infrared, x-ray�and now, green and red checks.

Even before the viewer catches a glimpse his first Mogwai, Joe Dante's Gremlins establishes the link between the titular goblins and malfunctioning technology by way of Randy Peltzer and his many incompetent inventions. It's a film very much of its time, with many fascinating things to say about the way Reagan-era Americans looked at technology. It's also a movie that would be impossible to remake today, for one big reason: the smartphone is our Bathroom Buddy.

Neue Films' video for the Queens-based baroque rockers catches life's uncanny, elemental evanescence. Video after the jump.

Japanese artist Kazumasa Nagai's posters put animal spirits at the heart of a floating modern world.

The people of the Siberian taiga, like the creatures they hunt and trap, are kept busy trying not to get bloodied or frozen, in a documentary narrated by Werner Herzog. Video after the jump.

To brand a normally-invisible gadget, it pays to know your cognoscenti.

Among the lunar-phase calendars usually found stacked in crystal shops and New-Age book stores, a radial version by designer and type founder Dimitre Lima stands out.